my morning poem,,,
Nearness of the Beloved One by Johann Wolfgang von Goethe
I think of you, when I see the sun's shimmer
Gleaming from the sea.
I think of you, when the moon's glimmer
Is reflected in the springs.
I see you, when on the distant road
The dust rises,
In deep night, when on the narrow bridge
The traveler trembles.
I hear you, when with a dull roar
The wave surges.
In the quiet grove I often go to listen
When all is silent.
I am with you, however far away you may be,
You are next to me!
The sun is setting, soon the stars will shine upon me.
If only you were here!
Monday, 31 August 2015
Sunday, 30 August 2015
I am in need of music that would flow
Over my fretful, feeling fingertips,
Over my bitter-tainted, trembling lips,
With melody, deep, clear, and liquid-slow.
Oh, for the healing swaying, old and low,
Of some song sung to rest the tired dead,
A song to fall like water on my head,
And over quivering limbs, dream flushed to glow!
There is a magic made by melody:
A spell of rest, and quiet breath, and cool
Heart, that sinks through fading colors deep
To the subaqueous stillness of the sea,
And floats forever in a moon-green pool,
Held in the arms of rhythm and of sleep.
Over my fretful, feeling fingertips,
Over my bitter-tainted, trembling lips,
With melody, deep, clear, and liquid-slow.
Oh, for the healing swaying, old and low,
Of some song sung to rest the tired dead,
A song to fall like water on my head,
And over quivering limbs, dream flushed to glow!
There is a magic made by melody:
A spell of rest, and quiet breath, and cool
Heart, that sinks through fading colors deep
To the subaqueous stillness of the sea,
And floats forever in a moon-green pool,
Held in the arms of rhythm and of sleep.
Saturday, 29 August 2015
my morning poem,,,
mutability.
We are as clouds that veil the midnight moon;
How restlessly they speed, and gleam, and quiver,
Streaking the darkness radiantly!--yet soon
Night closes round, and they are lost forever:
How restlessly they speed, and gleam, and quiver,
Streaking the darkness radiantly!--yet soon
Night closes round, and they are lost forever:
Or like forgotten lyres, whose dissonant strings
Give various response to each varying blast,
To whose frail frame no second motion brings
One mood or modulation like the last.
Give various response to each varying blast,
To whose frail frame no second motion brings
One mood or modulation like the last.
We rest.--A dream has power to poison sleep;
We rise.--One wandering thought pollutes the day;
We feel, conceive or reason, laugh or weep;
Embrace fond woe, or cast our cares away:
We rise.--One wandering thought pollutes the day;
We feel, conceive or reason, laugh or weep;
Embrace fond woe, or cast our cares away:
It is the same!--For, be it joy or sorrow,
The path of its departure still is free:
Man's yesterday may ne'er be like his morrow;
Nought may endure but Mutability.
The path of its departure still is free:
Man's yesterday may ne'er be like his morrow;
Nought may endure but Mutability.
Percy Bysshe Shelley
Friday, 28 August 2015
my morning poem,,,
clouds and waves,
Mother, the folk who live up in the clouds call out to me-
"We play from the time we wake till the day ends.
We play with the golden dawn, we play with the silver moon."
I ask, "But how am I to get up to you ?"
They answer, "Come to the edge of the earth, lift up your
hands to the sky, and you will be taken up into the clouds."
"My mother is waiting for me at home, "I say, "How can I leave
her and come?"
Then they smile and float away.
But I know a nicer game than that, mother.
I shall be the cloud and you the moon.
I shall cover you with both my hands, and our house-top will
be the blue sky.
The folk who live in the waves call out to me-
"We sing from morning till night; on and on we travel and know
not where we pass."
I ask, "But how am I to join you?"
They tell me, "Come to the edge of the shore and stand with
your eyes tight shut, and you will be carried out upon the waves."
I say, "My mother always wants me at home in the everything-
how can I leave her and go?"
They smile, dance and pass by.
But I know a better game than that.
I will be the waves and you will be a strange shore.
I shall roll on and on and on, and break upon your lap with
laughter.
And no one in the world will know where we both are.
Rabindranath Tagore
clouds and waves,
Mother, the folk who live up in the clouds call out to me-
"We play from the time we wake till the day ends.
We play with the golden dawn, we play with the silver moon."
I ask, "But how am I to get up to you ?"
They answer, "Come to the edge of the earth, lift up your
hands to the sky, and you will be taken up into the clouds."
"My mother is waiting for me at home, "I say, "How can I leave
her and come?"
Then they smile and float away.
But I know a nicer game than that, mother.
I shall be the cloud and you the moon.
I shall cover you with both my hands, and our house-top will
be the blue sky.
The folk who live in the waves call out to me-
"We sing from morning till night; on and on we travel and know
not where we pass."
I ask, "But how am I to join you?"
They tell me, "Come to the edge of the shore and stand with
your eyes tight shut, and you will be carried out upon the waves."
I say, "My mother always wants me at home in the everything-
how can I leave her and go?"
They smile, dance and pass by.
But I know a better game than that.
I will be the waves and you will be a strange shore.
I shall roll on and on and on, and break upon your lap with
laughter.
And no one in the world will know where we both are.
Rabindranath Tagore
Wednesday, 26 August 2015
my morning poem,,,
to my sister,
by william wordsworth.
It is the first mild day of March:
Each minute sweeter than before
The redbreast sings from the tall larch
That stands beside our door.
There is a blessing in the air,
Which seems a sense of joy to yield
To the bare trees, and mountains bare,
And grass in the green field.
My sister! ('tis a wish of mine)
Now that our morning meal is done,
Make haste, your morning task resign;
Come forth and feel the sun.
Edward will come with you;--and, pray,
Put on with speed your woodland dress;
And bring no book: for this one day
We'll give to idleness.
No joyless forms shall regulate
Our living calendar:
We from to-day, my Friend, will date
The opening of the year.
Love, now a universal birth,
From heart to heart is stealing,
From earth to man, from man to earth:
--It is the hour of feeling.
One moment now may give us more
Than years of toiling reason:
Our minds shall drink at every pore
The spirit of the season.
Some silent laws our hearts will make,
Which they shall long obey:
We for the year to come may take
Our temper from to-day.
And from the blessed power that rolls
About, below, above,
We'll frame the measure of our souls:
They shall be tuned to love.
Then come, my Sister! come, I pray,
With speed put on your woodland dress;
And bring no book: for this one day
We'll give to idleness.
To My Sister
William Wordsworth
to my sister,
by william wordsworth.
It is the first mild day of March:
Each minute sweeter than before
The redbreast sings from the tall larch
That stands beside our door.
There is a blessing in the air,
Which seems a sense of joy to yield
To the bare trees, and mountains bare,
And grass in the green field.
My sister! ('tis a wish of mine)
Now that our morning meal is done,
Make haste, your morning task resign;
Come forth and feel the sun.
Edward will come with you;--and, pray,
Put on with speed your woodland dress;
And bring no book: for this one day
We'll give to idleness.
No joyless forms shall regulate
Our living calendar:
We from to-day, my Friend, will date
The opening of the year.
Love, now a universal birth,
From heart to heart is stealing,
From earth to man, from man to earth:
--It is the hour of feeling.
One moment now may give us more
Than years of toiling reason:
Our minds shall drink at every pore
The spirit of the season.
Some silent laws our hearts will make,
Which they shall long obey:
We for the year to come may take
Our temper from to-day.
And from the blessed power that rolls
About, below, above,
We'll frame the measure of our souls:
They shall be tuned to love.
Then come, my Sister! come, I pray,
With speed put on your woodland dress;
And bring no book: for this one day
We'll give to idleness.
To My Sister
William Wordsworth
Tuesday, 25 August 2015
my morning poem,,,
she walks in beauty
She walks in Beauty, like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meet in her aspect and her eyes:
Thus mellowed to that tender light
Which Heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express,
How pure, how dear their dwelling-place.
And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!
George Gordon Byron
she walks in beauty
She walks in Beauty, like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meet in her aspect and her eyes:
Thus mellowed to that tender light
Which Heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express,
How pure, how dear their dwelling-place.
And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!
George Gordon Byron
Monday, 24 August 2015
my morning poem,,,
but not forgotten,
by dorothy parker.
I think, no matter where you stray,
That I shall go with you a way.
Though you may wander sweeter lands,
You will not soon forget my hands,
Nor yet the way I held my head,
Nor all the tremulous things I said.
You still will see me, small and white
And smiling, in the secret night,
And feel my arms about you when
The day comes fluttering back again.
I think, no matter where you be,
You'll hold me in your memory
And keep my image, there without me,
By telling later loves about me.
Dorothy Parker
but not forgotten,
by dorothy parker.
I think, no matter where you stray,
That I shall go with you a way.
Though you may wander sweeter lands,
You will not soon forget my hands,
Nor yet the way I held my head,
Nor all the tremulous things I said.
You still will see me, small and white
And smiling, in the secret night,
And feel my arms about you when
The day comes fluttering back again.
I think, no matter where you be,
You'll hold me in your memory
And keep my image, there without me,
By telling later loves about me.
Dorothy Parker
Sunday, 23 August 2015
my morning poem,,,
by brian patten,
The Armada (1996)
Long, long ago
when everything I was told was believable
and the little I knew was less limited than now,
I stretched belly down on the grass beside a pond
and to the far bank launched a child's armada.
A broken fortress of twigs,
the paper-tissue sails of galleons,
the waterlogged branches of submarines -
all came to ruin and were on flame
in that dusk-red pond.
And you, mother, stood behind me,
impatient to be going,
old at twenty-three, alone,
thin overcoat flapping.
How closely the past shadows us.
In a hospital a mile or so from that pond
I kneel beside your bed and, closing my eyes,
reach out across forty years to touch once more
that pond's cool surface,
and it is your cool skin I'm touching;
for as on a pond a child's paper boat
was blown out of reach
by the smallest gust of wind,
so too have you been blown out of reach
by the smallest whisper of death,
and a childhood memory is sharpened,
and the heart burns as that armada burnt,
long, long ago.
when everything I was told was believable
and the little I knew was less limited than now,
I stretched belly down on the grass beside a pond
and to the far bank launched a child's armada.
A broken fortress of twigs,
the paper-tissue sails of galleons,
the waterlogged branches of submarines -
all came to ruin and were on flame
in that dusk-red pond.
And you, mother, stood behind me,
impatient to be going,
old at twenty-three, alone,
thin overcoat flapping.
How closely the past shadows us.
In a hospital a mile or so from that pond
I kneel beside your bed and, closing my eyes,
reach out across forty years to touch once more
that pond's cool surface,
and it is your cool skin I'm touching;
for as on a pond a child's paper boat
was blown out of reach
by the smallest gust of wind,
so too have you been blown out of reach
by the smallest whisper of death,
and a childhood memory is sharpened,
and the heart burns as that armada burnt,
long, long ago.
Saturday, 22 August 2015
my morning poem ,,,
love this poem from my latest poetry book as it's I bought,
a poem by Jacques prevert
the message
The door that someone has opened
The door that someone closed
The chair where someone sat
The cat that someone fondled
The fruit that someone has bitten
The letter read that someone
The chair that someone has spilled
The door that someone has opened
The road where someone runs still
Wood someone crosses
The river where someone throws
The hospital where someone died.
the message
The door That somebody ouvert
The door shut That somebody
Somebody sat in the seat
Somebody petted the cat
The fruit bit into somebody
The letter read somebody
The chair That somebody knocked over
The door That somebody ouvert
That the road is still running on somebody
That somebody is the woods crossing
Somebody jumped into the river
The hospital Where somebody died.
love this poem from my latest poetry book as it's I bought,
a poem by Jacques prevert
the message
The door that someone has opened
The door that someone closed
The chair where someone sat
The cat that someone fondled
The fruit that someone has bitten
The letter read that someone
The chair that someone has spilled
The door that someone has opened
The road where someone runs still
Wood someone crosses
The river where someone throws
The hospital where someone died.
the message
The door That somebody ouvert
The door shut That somebody
Somebody sat in the seat
Somebody petted the cat
The fruit bit into somebody
The letter read somebody
The chair That somebody knocked over
The door That somebody ouvert
That the road is still running on somebody
That somebody is the woods crossing
Somebody jumped into the river
The hospital Where somebody died.
Thursday, 20 August 2015
my morning poem,,,
rabindranath tagore.
closed path,
I thought that my voyage had come to its end
at the last limit of my power,---that the path before me was closed,
that provisions were exhausted
and the time come to take shelter in a silent obscurity.
But I find that thy will knows no end in me.
And when old words die out on the tongue,
new melodies break forth from the heart;
and where the old tracks are lost,
new country is revealed with its wonders.
Rabindranath Tagore
rabindranath tagore.
closed path,
I thought that my voyage had come to its end
at the last limit of my power,---that the path before me was closed,
that provisions were exhausted
and the time come to take shelter in a silent obscurity.
But I find that thy will knows no end in me.
And when old words die out on the tongue,
new melodies break forth from the heart;
and where the old tracks are lost,
new country is revealed with its wonders.
Rabindranath Tagore
Wednesday, 19 August 2015
my morning poem,,,
i love this poem one of my favourites
a dream within a dream,
edgar allen poe..
Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow-
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.
I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand-
How few! yet how they creep
Through my fingers to the deep,
While I weep- while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?
Edgar Allan Poe
i love this poem one of my favourites
a dream within a dream,
edgar allen poe..
Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow-
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.
I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand-
How few! yet how they creep
Through my fingers to the deep,
While I weep- while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?
Edgar Allan Poe
Tuesday, 18 August 2015
my morning poem,,,
elergy,
by chidcock tichborne
My prime of youth is but a frost of cares,
My feast of joy is but a dish of paine,
My Crop of corne is but a field of tares,
And al my good is but vaine hope of gaine.
The day is past, and yet I saw no sunne,
And now I live, and now my life is done.
My tale was heard, and yet it was not told,
My fruite is falne, & yet my leaves are greene:
My youth is spent, and yet I am not old,
I saw the world, and yet I was not seene.
My thred is cut, and yet it is not spunne,
And now I live, and now my life is done.
I sought my death, and found it in my wombe,
I lookt for life, and saw it was a shade:
I trod the earth, and knew it was my Tombe,
And now I die, and now I was but made.
My glasse is full, and now my glasse is runne,
And now I live, and now my life is done.
elergy,
by chidcock tichborne
My prime of youth is but a frost of cares,
My feast of joy is but a dish of paine,
My Crop of corne is but a field of tares,
And al my good is but vaine hope of gaine.
The day is past, and yet I saw no sunne,
And now I live, and now my life is done.
My tale was heard, and yet it was not told,
My fruite is falne, & yet my leaves are greene:
My youth is spent, and yet I am not old,
I saw the world, and yet I was not seene.
My thred is cut, and yet it is not spunne,
And now I live, and now my life is done.
I sought my death, and found it in my wombe,
I lookt for life, and saw it was a shade:
I trod the earth, and knew it was my Tombe,
And now I die, and now I was but made.
My glasse is full, and now my glasse is runne,
And now I live, and now my life is done.
Monday, 17 August 2015
my morning poem,,,
comfort,
Say! You've struck a heap of trouble --
Bust in business, lost your wife;
No one cares a cent about you,
You don't care a cent for life;
Hard luck has of hope bereft you,
Health is failing, wish you'd die --
Why, you've still the sunshine left you
And the big, blue sky.
Sky so blue it makes you wonder
If it's heaven shining through;
Earth so smiling 'way out yonder,
Sun so bright it dazzles you;
Birds a-singing, flowers a-flinging
All their fragrance on the breeze;
Dancing shadows, green, still meadows --
Don't you mope, you've still got these.
These, and none can take them from you;
These, and none can weigh their worth.
What! you're tired and broke and beaten? --
Why, you're rich -- you've got the earth!
Yes, if you're a tramp in tatters,
While the blue sky bends above
You've got nearly all that matters --
You've got God, and God is love.
Robert William Service
comfort,
Say! You've struck a heap of trouble --
Bust in business, lost your wife;
No one cares a cent about you,
You don't care a cent for life;
Hard luck has of hope bereft you,
Health is failing, wish you'd die --
Why, you've still the sunshine left you
And the big, blue sky.
Sky so blue it makes you wonder
If it's heaven shining through;
Earth so smiling 'way out yonder,
Sun so bright it dazzles you;
Birds a-singing, flowers a-flinging
All their fragrance on the breeze;
Dancing shadows, green, still meadows --
Don't you mope, you've still got these.
These, and none can take them from you;
These, and none can weigh their worth.
What! you're tired and broke and beaten? --
Why, you're rich -- you've got the earth!
Yes, if you're a tramp in tatters,
While the blue sky bends above
You've got nearly all that matters --
You've got God, and God is love.
Robert William Service
Sunday, 16 August 2015
my morning poem,,,
a psalm of life,
Tell me not, in mournful numbers,
Life is but an empty dream!
For the soul is dead that slumbers,
And things are not what they seem.
Life is real! Life is earnest!
And the grave is not its goal;
Dust thou art, to dust returnest,
Was not spoken of the soul.
Not enjoyment, and not sorrow,
Is our destined end or way;
But to act, that each to-morrow
Find us farther than to-day.
Art is long, and Time is fleeting,
And our hearts, though stout and brave,
Still, like muffled drums, are beating
Funeral marches to the grave.
In the world’s broad field of battle,
In the bivouac of Life,
Be not like dumb, driven cattle!
Be a hero in the strife!
Trust no Future, howe’er pleasant!
Let the dead Past bury its dead!
Act,— act in the living Present!
Heart within, and God o’erhead!
Lives of great men all remind us
We can make our lives sublime,
And, departing, leave behind us
Footprints on the sands of time;
Footprints, that perhaps another,
Sailing o’er life’s solemn main,
A forlorn and shipwrecked brother,
Seeing, shall take heart again.
Let us, then, be up and doing,
With a heart for any fate;
Still achieving, still pursuing,
Learn to labor and to wait.
Henry Wadsworth Longfellow
a psalm of life,
Tell me not, in mournful numbers,
Life is but an empty dream!
For the soul is dead that slumbers,
And things are not what they seem.
Life is real! Life is earnest!
And the grave is not its goal;
Dust thou art, to dust returnest,
Was not spoken of the soul.
Not enjoyment, and not sorrow,
Is our destined end or way;
But to act, that each to-morrow
Find us farther than to-day.
Art is long, and Time is fleeting,
And our hearts, though stout and brave,
Still, like muffled drums, are beating
Funeral marches to the grave.
In the world’s broad field of battle,
In the bivouac of Life,
Be not like dumb, driven cattle!
Be a hero in the strife!
Trust no Future, howe’er pleasant!
Let the dead Past bury its dead!
Act,— act in the living Present!
Heart within, and God o’erhead!
Lives of great men all remind us
We can make our lives sublime,
And, departing, leave behind us
Footprints on the sands of time;
Footprints, that perhaps another,
Sailing o’er life’s solemn main,
A forlorn and shipwrecked brother,
Seeing, shall take heart again.
Let us, then, be up and doing,
With a heart for any fate;
Still achieving, still pursuing,
Learn to labor and to wait.
Henry Wadsworth Longfellow
Saturday, 15 August 2015
my morning poem,,,
a fallen leaf,
A trusting little leaf of green,
A bold audacious frost;
A rendezvous, a kiss or two,
And youth for ever lost.
Ah, me!
The bitter, bitter cost.
A flaunting patch of vivid red,
That quivers in the sun;
A windy gust, a grave of dust,
The little race is run.
Ah, me!
Were that the only one.
Ella Wheeler Wilcox
a fallen leaf,
A trusting little leaf of green,
A bold audacious frost;
A rendezvous, a kiss or two,
And youth for ever lost.
Ah, me!
The bitter, bitter cost.
A flaunting patch of vivid red,
That quivers in the sun;
A windy gust, a grave of dust,
The little race is run.
Ah, me!
Were that the only one.
Ella Wheeler Wilcox
Friday, 14 August 2015
my morning poem,,,
2 today by
william butler yeats.
MOODS,
TIME drops in decay,
Like a candle burnt out,
And the mountains and woods
Have their day, have their day;
What one in the rout
Of the fire-born moods
Has fallen away?
William Butler Yeats
TOWARDS THE BREAK OF DAY.
WAS it the double of my dream
The woman that by me lay
Dreamed, or did we halve a dream
Under the first cold gleam of day?
I thought: 'There is a waterfall
Upon Ben Bulben side
That all my childhood counted dear;
Were I to travel far and wide
I could not find a thing so dear.'
My memories had magnified
So many times childish delight.
I would have touched it like a child
But knew my finger could but have touched
Cold stone and water. I grew wild.
Even accusing Heaven because
It had set down among its laws:
Nothing that we love over-much
Is ponderable to our touch.
I dreamed towards break of day,
The cold blown spray in my nostril.
But she that beside me lay
Had watched in bitterer sleep
The marvellous stag of Arthur,
That lofty white stag, leap
From mountain steep to steep.
William Butler Yeats
2 today by
william butler yeats.
MOODS,
TIME drops in decay,
Like a candle burnt out,
And the mountains and woods
Have their day, have their day;
What one in the rout
Of the fire-born moods
Has fallen away?
William Butler Yeats
TOWARDS THE BREAK OF DAY.
WAS it the double of my dream
The woman that by me lay
Dreamed, or did we halve a dream
Under the first cold gleam of day?
I thought: 'There is a waterfall
Upon Ben Bulben side
That all my childhood counted dear;
Were I to travel far and wide
I could not find a thing so dear.'
My memories had magnified
So many times childish delight.
I would have touched it like a child
But knew my finger could but have touched
Cold stone and water. I grew wild.
Even accusing Heaven because
It had set down among its laws:
Nothing that we love over-much
Is ponderable to our touch.
I dreamed towards break of day,
The cold blown spray in my nostril.
But she that beside me lay
Had watched in bitterer sleep
The marvellous stag of Arthur,
That lofty white stag, leap
From mountain steep to steep.
William Butler Yeats
Thursday, 13 August 2015
my morning poem,,,
maya angelou,
men,
When I was young, I used to
Watch behind the curtains
As men walked up and down the street. Wino men, old men.
Young men sharp as mustard.
See them. Men are always
Going somewhere.
They knew I was there. Fifteen
Years old and starving for them.
Under my window, they would pauses,
Their shoulders high like the
Breasts of a young girl,
Jacket tails slapping over
Those behinds,
Men.
One day they hold you in the
Palms of their hands, gentle, as if you
Were the last raw egg in the world. Then
They tighten up. Just a little. The
First squeeze is nice. A quick hug.
Soft into your defenselessness. A little
More. The hurt begins. Wrench out a
Smile that slides around the fear. When the
Air disappears,
Your mind pops, exploding fiercely, briefly,
Like the head of a kitchen match. Shattered.
It is your juice
That runs down their legs. Staining their shoes.
When the earth rights itself again,
And taste tries to return to the tongue,
Your body has slammed shut. Forever.
No keys exist.
Then the window draws full upon
Your mind. There, just beyond
The sway of curtains, men walk.
Knowing something.
Going someplace.
But this time, I will simply
Stand and watch.
Maybe.
Maya Angelou
maya angelou,
men,
When I was young, I used to
Watch behind the curtains
As men walked up and down the street. Wino men, old men.
Young men sharp as mustard.
See them. Men are always
Going somewhere.
They knew I was there. Fifteen
Years old and starving for them.
Under my window, they would pauses,
Their shoulders high like the
Breasts of a young girl,
Jacket tails slapping over
Those behinds,
Men.
One day they hold you in the
Palms of their hands, gentle, as if you
Were the last raw egg in the world. Then
They tighten up. Just a little. The
First squeeze is nice. A quick hug.
Soft into your defenselessness. A little
More. The hurt begins. Wrench out a
Smile that slides around the fear. When the
Air disappears,
Your mind pops, exploding fiercely, briefly,
Like the head of a kitchen match. Shattered.
It is your juice
That runs down their legs. Staining their shoes.
When the earth rights itself again,
And taste tries to return to the tongue,
Your body has slammed shut. Forever.
No keys exist.
Then the window draws full upon
Your mind. There, just beyond
The sway of curtains, men walk.
Knowing something.
Going someplace.
But this time, I will simply
Stand and watch.
Maybe.
Maya Angelou
Wednesday, 12 August 2015
my morning poem,,,
the people,, by pablo neruda.
I recall that man and not two centuries
have passed since I saw him,
he went neither by horse nor by carriage:
purely on foot
he outstripped
distances,
and carried no sword or armour,
only nets on his shoulder,
axe or hammer or spade,
never fighting the rest of his species:
his exploits were with water and earth,
with wheat so that it turned into bread,
with giant trees to render them wood,
with walls to open up doors,
with sand to construct the walls,
and with ocean for it to bear.
I knew him and he is still not cancelled in me.
The carriages fell to pieces,
war destroyed doors and walls,
the city was a handful of ashes,
all the clothes turned to dust,
and he remains to me,
he survives in the sand,
when everything before
seemed imperishable but him.
In the going and coming of families
at times he was my father or kinsman
or perhaps it was scarcely him or not
the one who did not return to his house
because water or earth swallowed him up
or a tree or an engine killed him,
or he was the saddened carpenter
who went behind the coffin, without tears,
someone in the end who had no name,
except those that metal or timber have,
and on whom others gazed from on high
without seeing the ant
for the anthill
and so that when his feet did not stir,
because the poor exhausted one had died,
they never saw what they had not seen:
already there were other feet where he'd been.
The other feet were still his,
and the other hands,
the man remained:
when it seemed that now he was done for
he was the same once more,
there he was digging again at the earth,
cutting cloth, minus a shirt,
there he was and was not, like before,
he had gone down and was once more,
and since he never owned graveyards,
or tombs, nor was his name carved
on the stone he sweated to quarry,
no one knew he had come
and no one knew when he died,
so that only when the poor man could
he returned to life once more, without it being noted.
He was the man, no doubt of it, without heritage,
without cattle, without a flag,
and he was not distinguished from others,
the others who were him,
from the heights he was grey like the subsoil,
tanned like the leather,
he was yellow reaping the wheat,
he was black down in the mine,
he was the colour of stone on the fortress,
in the fishing boat the colour of tuna,
and the colour of horses in the meadow:
how could anyone distinguish him
if he was inseparable, elemental,
earth, coal or sea vested in man?
Where he lived whatever
a man touched grew:
the hostile stones,
quarried
by his hands,
took on order
and one by one formed
the right clarity of a building,
he made bread with his hands,
moved the engines,
the distances peopled themselves with towns,
other men grew,
bees arrived,
and by man's creating and breeding
spring walked the market squares
between bakeries and doves.
The maker of loaves was forgotten,
he who quarried and journeyed, beating down
and opening furrows, transporting sand,
when everything existed he no longer existed,
he gave his existence, that's all.
He went elsewhere to labour, and at last
he was dead, rolling
like a stone in the river:
death carried him downstream.
I, who knew him, saw him descend
till he was no longer except what he left:
roads he could scarcely know,
houses he never ever would live in.
I turn to see him, and I await him
I see him in his grave and resurrected.
I distinguish him among all
who are his equals
and it seems to me it cannot be,
that like this we go nowhere,
that to survive like this holds no glory.
I believe that this man
must be enthroned, rightly shod and crowned.
I believe that those who made such things
must be the masters of all these things.
And that those who made bread should eat!
And those in the mines must have light!
Enough now of grey men enslaved!
Enough of the pale 'missing ones'!
Not another man passes except as a king.
Not a single woman without her crown.
Golden gauntlets for every hand.
Fruits of the sun for all the unknowns!
I knew that man and when I could,
when he still had eyes in his head,
when he still had a voice in his mouth
I searched for him among tombs, and I said
grasping his arm that was not yet dust:
'All will be gone, you will live on,
You ignite life.
You made what is yours.'
So let no one trouble themselves when
I seem to be alone and am not alone,
I am with no one and speak for them all:
Some listen to me, without knowing,
but those I sing, those who do know
go on being born, and will fill up the Earth.
Pablo Neruda
the people,, by pablo neruda.
I recall that man and not two centuries
have passed since I saw him,
he went neither by horse nor by carriage:
purely on foot
he outstripped
distances,
and carried no sword or armour,
only nets on his shoulder,
axe or hammer or spade,
never fighting the rest of his species:
his exploits were with water and earth,
with wheat so that it turned into bread,
with giant trees to render them wood,
with walls to open up doors,
with sand to construct the walls,
and with ocean for it to bear.
I knew him and he is still not cancelled in me.
The carriages fell to pieces,
war destroyed doors and walls,
the city was a handful of ashes,
all the clothes turned to dust,
and he remains to me,
he survives in the sand,
when everything before
seemed imperishable but him.
In the going and coming of families
at times he was my father or kinsman
or perhaps it was scarcely him or not
the one who did not return to his house
because water or earth swallowed him up
or a tree or an engine killed him,
or he was the saddened carpenter
who went behind the coffin, without tears,
someone in the end who had no name,
except those that metal or timber have,
and on whom others gazed from on high
without seeing the ant
for the anthill
and so that when his feet did not stir,
because the poor exhausted one had died,
they never saw what they had not seen:
already there were other feet where he'd been.
The other feet were still his,
and the other hands,
the man remained:
when it seemed that now he was done for
he was the same once more,
there he was digging again at the earth,
cutting cloth, minus a shirt,
there he was and was not, like before,
he had gone down and was once more,
and since he never owned graveyards,
or tombs, nor was his name carved
on the stone he sweated to quarry,
no one knew he had come
and no one knew when he died,
so that only when the poor man could
he returned to life once more, without it being noted.
He was the man, no doubt of it, without heritage,
without cattle, without a flag,
and he was not distinguished from others,
the others who were him,
from the heights he was grey like the subsoil,
tanned like the leather,
he was yellow reaping the wheat,
he was black down in the mine,
he was the colour of stone on the fortress,
in the fishing boat the colour of tuna,
and the colour of horses in the meadow:
how could anyone distinguish him
if he was inseparable, elemental,
earth, coal or sea vested in man?
Where he lived whatever
a man touched grew:
the hostile stones,
quarried
by his hands,
took on order
and one by one formed
the right clarity of a building,
he made bread with his hands,
moved the engines,
the distances peopled themselves with towns,
other men grew,
bees arrived,
and by man's creating and breeding
spring walked the market squares
between bakeries and doves.
The maker of loaves was forgotten,
he who quarried and journeyed, beating down
and opening furrows, transporting sand,
when everything existed he no longer existed,
he gave his existence, that's all.
He went elsewhere to labour, and at last
he was dead, rolling
like a stone in the river:
death carried him downstream.
I, who knew him, saw him descend
till he was no longer except what he left:
roads he could scarcely know,
houses he never ever would live in.
I turn to see him, and I await him
I see him in his grave and resurrected.
I distinguish him among all
who are his equals
and it seems to me it cannot be,
that like this we go nowhere,
that to survive like this holds no glory.
I believe that this man
must be enthroned, rightly shod and crowned.
I believe that those who made such things
must be the masters of all these things.
And that those who made bread should eat!
And those in the mines must have light!
Enough now of grey men enslaved!
Enough of the pale 'missing ones'!
Not another man passes except as a king.
Not a single woman without her crown.
Golden gauntlets for every hand.
Fruits of the sun for all the unknowns!
I knew that man and when I could,
when he still had eyes in his head,
when he still had a voice in his mouth
I searched for him among tombs, and I said
grasping his arm that was not yet dust:
'All will be gone, you will live on,
You ignite life.
You made what is yours.'
So let no one trouble themselves when
I seem to be alone and am not alone,
I am with no one and speak for them all:
Some listen to me, without knowing,
but those I sing, those who do know
go on being born, and will fill up the Earth.
Pablo Neruda
Monday, 10 August 2015
my morning poem,,,
by robert service.
a grain of sand.
If starry space no limit knows
And sun succeeds to sun,
There is no reason to suppose
Our earth the only one.
'Mid countless constellations cast
A million worlds may be,
With each a God to bless or blast
And steer to destiny.
Just think! A million gods or so
To guide each vital stream,
With over all to boss the show
A Deity supreme.
Such magnitudes oppress my mind;
From cosmic space it swings;
So ultimately glad to find
Relief in little things.
For look! Within my hollow hand,
While round the earth careens,
I hold a single grain of sand
And wonder what it means.
Ah! If I had the eyes to see,
And brain to understand,
I think Life's mystery might be
Solved in this grain of sand.
Robert William Service
by robert service.
a grain of sand.
If starry space no limit knows
And sun succeeds to sun,
There is no reason to suppose
Our earth the only one.
'Mid countless constellations cast
A million worlds may be,
With each a God to bless or blast
And steer to destiny.
Just think! A million gods or so
To guide each vital stream,
With over all to boss the show
A Deity supreme.
Such magnitudes oppress my mind;
From cosmic space it swings;
So ultimately glad to find
Relief in little things.
For look! Within my hollow hand,
While round the earth careens,
I hold a single grain of sand
And wonder what it means.
Ah! If I had the eyes to see,
And brain to understand,
I think Life's mystery might be
Solved in this grain of sand.
Robert William Service
Saturday, 8 August 2015
my morning poem,,,
Dost Thou Not Care? - Poem by Christina Georgina Rossetti
I love and love not: Lord, it breaks my heart
To love and not to love.
Thou veiled within Thy glory, gone apart
Into Thy shrine, which is above,
Dost Thou not love me, Lord, or care
For this mine ill?—
I love thee here or there,
I will accept thy broken heart, lie still.
Lord, it was well with me in time gone by
That cometh not again,
When I was fresh and cheerful, who but I?
I fresh, I cheerful: worn with pain
Now, out of sight and out of heart;
O Lord, how long?—
I watch thee as thou art,
I will accept thy fainting heart, be strong.
'Lie still,' 'be strong,' to-day; but, Lord, to-morrow,
What of to-morrow, Lord?
Shall there be rest from toil, be truce from sorrow,
Be living green upon the sward
Now but a barren grave to me,
Be joy for sorrow?—
Did I not die for thee?
Did I not live for thee? Leave Me to-morrow.
Christina Georgina Rossetti
Dost Thou Not Care? - Poem by Christina Georgina Rossetti
I love and love not: Lord, it breaks my heart
To love and not to love.
Thou veiled within Thy glory, gone apart
Into Thy shrine, which is above,
Dost Thou not love me, Lord, or care
For this mine ill?—
I love thee here or there,
I will accept thy broken heart, lie still.
Lord, it was well with me in time gone by
That cometh not again,
When I was fresh and cheerful, who but I?
I fresh, I cheerful: worn with pain
Now, out of sight and out of heart;
O Lord, how long?—
I watch thee as thou art,
I will accept thy fainting heart, be strong.
'Lie still,' 'be strong,' to-day; but, Lord, to-morrow,
What of to-morrow, Lord?
Shall there be rest from toil, be truce from sorrow,
Be living green upon the sward
Now but a barren grave to me,
Be joy for sorrow?—
Did I not die for thee?
Did I not live for thee? Leave Me to-morrow.
Christina Georgina Rossetti
Friday, 7 August 2015
my morning poem,,,
beauty,by edward thomas.
WHAT does it mean? Tired, angry, and ill at ease,
No man, woman, or child alive could please
Me now. And yet I almost dare to laugh
Because I sit and frame an epitaph-
'Here lies all that no one loved of him
And that loved no one.' Then in a trice that whim
Has wearied. But, though I am like a river
At fall of evening when it seems that never
Has the sun lighted it or warmed it, while
Cross breezes cut the surface to a file,
This heart, some fraction of me, hapily
Floats through a window even now to a tree
Down in the misting, dim-lit, quiet vale;
Not like a pewit that returns to wail
For something it has lost, but like a dove
That slants unanswering to its home and love.
There I find my rest, and through the dusk air
Flies what yet lives in me. Beauty is there
Edward Thomas
beauty,by edward thomas.
WHAT does it mean? Tired, angry, and ill at ease,
No man, woman, or child alive could please
Me now. And yet I almost dare to laugh
Because I sit and frame an epitaph-
'Here lies all that no one loved of him
And that loved no one.' Then in a trice that whim
Has wearied. But, though I am like a river
At fall of evening when it seems that never
Has the sun lighted it or warmed it, while
Cross breezes cut the surface to a file,
This heart, some fraction of me, hapily
Floats through a window even now to a tree
Down in the misting, dim-lit, quiet vale;
Not like a pewit that returns to wail
For something it has lost, but like a dove
That slants unanswering to its home and love.
There I find my rest, and through the dusk air
Flies what yet lives in me. Beauty is there
Edward Thomas
Thursday, 6 August 2015
today is aniversary of nagasaki
Written by Allen Ginsberg
Nagasaki
I -- A Pleasant Afternoon
One day 3 poets and 60 ears sat under a green-striped Chau-
tauqua tent in Aurora
listening to Black spirituals, tapping their feet, appreciating
words singing by in mountain winds
on a pleasant sunny day of rest -- the wild wind blew thru
blue Heavens
filled with fluffy clouds stretched from Central City to Rocky
Flats, Plutonium sizzled in its secret bed,
hot dogs sizzled in the Lion's Club lunchwagon microwave
mouth, orangeade bubbled over in waxen cups
Traffic moved along Colefax, meditators silent in the Diamond
Castle shrine-room at Boulder followed the breath going
out of their nostrils,
Nobody could remember anything, spirits flew out of mouths
& noses, out of the sky, across Colorado plains & the
tent flapped happily open spacious & didn't fall down.
June 18, 1978
II -- Peace Protest
Cumulus clouds float across blue sky
over the white-walled Rockwell Corporation factory
-- am I going to stop that?
*
Rocky Mountains rising behind us
Denver shining in morning light
-- Led away from the crowd by police and photographers
*
Middleaged Ginsberg and Ellsberg taken down the road
to the greyhaired Sheriff's van --
But what about Einstein? What about Einstein? Hey, Einstein
Come back!
III -- Golden Courthouse
Waiting for the Judge, breathing silent
Prisoners, witnesses, Police --
the stenographer yawns into her palms.
August 9, 1978
IV -- Everybody's Fantasy
I walked outside & the bomb'd
dropped lots of plutonium
all over the Lower East Side
There weren't any buildings left just
iron skeletons
groceries burned, potholes open to
stinking sewer waters
There were people starving and crawling
across the desert
the Martian UFOs with blue
Light destroyer rays
passed over and dried up all the
waters
Charred Amazon palmtrees for
hundreds of miles on both sides
of the river
August 10, 1978
V -- Waiting Room at the Rocky Flats Plutonium Plant
"Give us the weapons we need to protect ourselves!"
the bareheaded guard lifts his flyswatter above the desk
-- whap!
*
A green-letter'd shield on the pressboard wall!
"Life is fragile.
Handle with care" --
My Goodness! here's where they make the nuclear bomb
triggers.
August 17, 1978
VI -- Numbers in Red Notebook
2,000,000 killed in Vietnam
13,000,000 refugees in Indochina 1972
200,000,000 years for the Galaxy to revolve on its core
24,000 the Babylonian Great Year
24,000 half life of plutonium
2,000 the most I ever got for a poetry reading
80,000 dolphins killed in the dragnet
4,000,000,000 years earth been born
Written by Allen Ginsberg
Nagasaki
I -- A Pleasant Afternoon
One day 3 poets and 60 ears sat under a green-striped Chau-
tauqua tent in Aurora
listening to Black spirituals, tapping their feet, appreciating
words singing by in mountain winds
on a pleasant sunny day of rest -- the wild wind blew thru
blue Heavens
filled with fluffy clouds stretched from Central City to Rocky
Flats, Plutonium sizzled in its secret bed,
hot dogs sizzled in the Lion's Club lunchwagon microwave
mouth, orangeade bubbled over in waxen cups
Traffic moved along Colefax, meditators silent in the Diamond
Castle shrine-room at Boulder followed the breath going
out of their nostrils,
Nobody could remember anything, spirits flew out of mouths
& noses, out of the sky, across Colorado plains & the
tent flapped happily open spacious & didn't fall down.
June 18, 1978
II -- Peace Protest
Cumulus clouds float across blue sky
over the white-walled Rockwell Corporation factory
-- am I going to stop that?
*
Rocky Mountains rising behind us
Denver shining in morning light
-- Led away from the crowd by police and photographers
*
Middleaged Ginsberg and Ellsberg taken down the road
to the greyhaired Sheriff's van --
But what about Einstein? What about Einstein? Hey, Einstein
Come back!
III -- Golden Courthouse
Waiting for the Judge, breathing silent
Prisoners, witnesses, Police --
the stenographer yawns into her palms.
August 9, 1978
IV -- Everybody's Fantasy
I walked outside & the bomb'd
dropped lots of plutonium
all over the Lower East Side
There weren't any buildings left just
iron skeletons
groceries burned, potholes open to
stinking sewer waters
There were people starving and crawling
across the desert
the Martian UFOs with blue
Light destroyer rays
passed over and dried up all the
waters
Charred Amazon palmtrees for
hundreds of miles on both sides
of the river
August 10, 1978
V -- Waiting Room at the Rocky Flats Plutonium Plant
"Give us the weapons we need to protect ourselves!"
the bareheaded guard lifts his flyswatter above the desk
-- whap!
*
A green-letter'd shield on the pressboard wall!
"Life is fragile.
Handle with care" --
My Goodness! here's where they make the nuclear bomb
triggers.
August 17, 1978
VI -- Numbers in Red Notebook
2,000,000 killed in Vietnam
13,000,000 refugees in Indochina 1972
200,000,000 years for the Galaxy to revolve on its core
24,000 the Babylonian Great Year
24,000 half life of plutonium
2,000 the most I ever got for a poetry reading
80,000 dolphins killed in the dragnet
4,000,000,000 years earth been born
my morning poem,,,
bedecked,
victoria redel.
Tell me it’s wrong the scarlet nails my son sports or the toy
store rings he clusters four jewels to each finger.
He’s bedecked. I see the other mothers looking at the star
choker, the rhinestone strand he fastens over a sock.
Sometimes I help him find sparkle clip-ons when he says
sticker earrings look too fake.
Tell me I should teach him it’s wrong to love the glitter that a
boy’s only a boy who’d love a truck with a remote that revs,
battery slamming into corners or Hot Wheels loop-de-looping
off tracks into the tub.
Then tell me it’s fine - really - maybe even a good thing - a boy
who’s got some girl to him,
and I’m right for the days he wears a pink shirt on the seesaw in
the park.
Tell me what you need to tell me but keep far away from my son
who still loves a beautiful thing not for what it means -
this way or that - but for the way facets set off prisms and
prisms spin up everywhere
and from his own jeweled body he’s cast rainbows - made every
shining true color.
Now try to tell me - man or woman - your heart was ever once
that brave.
bedecked,
victoria redel.
Tell me it’s wrong the scarlet nails my son sports or the toy
store rings he clusters four jewels to each finger.
He’s bedecked. I see the other mothers looking at the star
choker, the rhinestone strand he fastens over a sock.
Sometimes I help him find sparkle clip-ons when he says
sticker earrings look too fake.
Tell me I should teach him it’s wrong to love the glitter that a
boy’s only a boy who’d love a truck with a remote that revs,
battery slamming into corners or Hot Wheels loop-de-looping
off tracks into the tub.
Then tell me it’s fine - really - maybe even a good thing - a boy
who’s got some girl to him,
and I’m right for the days he wears a pink shirt on the seesaw in
the park.
Tell me what you need to tell me but keep far away from my son
who still loves a beautiful thing not for what it means -
this way or that - but for the way facets set off prisms and
prisms spin up everywhere
and from his own jeweled body he’s cast rainbows - made every
shining true color.
Now try to tell me - man or woman - your heart was ever once
that brave.
Wednesday, 5 August 2015
my morning poem,,,
God's World
BY EDNA ST. VINCENT MILLAY
BY EDNA ST. VINCENT MILLAY
O world, I cannot hold thee close enough!
Thy winds, thy wide grey skies!
Thy mists, that roll and rise!
Thy woods, this autumn day, that ache and sag
And all but cry with colour! That gaunt crag
To crush! To lift the lean of that black bluff!
World, World, I cannot get thee close enough!
Thy winds, thy wide grey skies!
Thy mists, that roll and rise!
Thy woods, this autumn day, that ache and sag
And all but cry with colour! That gaunt crag
To crush! To lift the lean of that black bluff!
World, World, I cannot get thee close enough!
Long have I known a glory in it all,
But never knew I this;
Here such a passion is
As stretcheth me apart,—Lord, I do fear
Thou’st made the world too beautiful this year;
My soul is all but out of me,—let fall
No burning leaf; prithee, let no bird call.
But never knew I this;
Here such a passion is
As stretcheth me apart,—Lord, I do fear
Thou’st made the world too beautiful this year;
My soul is all but out of me,—let fall
No burning leaf; prithee, let no bird call.
Tuesday, 4 August 2015
my morning poem,,,
in memory of w.b.yeats
by w.h.auden.
I
He disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
And snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
What instruments we have agree
The day of his death was a dark cold day.
Far from his illness
The wolves ran on through the evergreen forests,
The peasant river was untempted by the fashionable quays;
By mourning tongues
The death of the poet was kept from his poems.
But for him it was his last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs,
The current of his feeling failed; he became his admirers.
Now he is scattered among a hundred cities
And wholly given over to unfamiliar affections,
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.
The words of a dead man
Are modified in the guts of the living.
But in the importance and noise of to-morrow
When the brokers are roaring like beasts on the floor of the Bourse,
And the poor have the sufferings to which they are fairly accustomed,
And each in the cell of himself is almost convinced of his freedom,
A few thousand will think of this day
As one thinks of a day when one did something slightly unusual.
What instruments we have agree
The day of his death was a dark cold day.
II
You were silly like us; your gift survived it all:
The parish of rich women, physical decay,
Yourself. Mad Ireland hurt you into poetry.
Now Ireland has her madness and her weather still,
For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.
III
Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.
In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate;
Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.
Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice;
With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;
In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise.
in memory of w.b.yeats
by w.h.auden.
I
He disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
And snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
What instruments we have agree
The day of his death was a dark cold day.
Far from his illness
The wolves ran on through the evergreen forests,
The peasant river was untempted by the fashionable quays;
By mourning tongues
The death of the poet was kept from his poems.
But for him it was his last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs,
The current of his feeling failed; he became his admirers.
Now he is scattered among a hundred cities
And wholly given over to unfamiliar affections,
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.
The words of a dead man
Are modified in the guts of the living.
But in the importance and noise of to-morrow
When the brokers are roaring like beasts on the floor of the Bourse,
And the poor have the sufferings to which they are fairly accustomed,
And each in the cell of himself is almost convinced of his freedom,
A few thousand will think of this day
As one thinks of a day when one did something slightly unusual.
What instruments we have agree
The day of his death was a dark cold day.
II
You were silly like us; your gift survived it all:
The parish of rich women, physical decay,
Yourself. Mad Ireland hurt you into poetry.
Now Ireland has her madness and her weather still,
For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.
III
Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.
In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate;
Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.
Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice;
With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;
In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise.
Subscribe to:
Comments (Atom)